Immersed in state-of-the-art facilities, students gain real-world experience while studying one-on-one with faculty from a range of professional backgrounds.
Whether you're looking for a career in musical performance or music production, you'll gain the skillsets necessary to be competitive in today’s music industry.
The program fosters growth from a foundation in Music and Audio Production that empowers students to adapt to the rapidly evolving industry.
Graduates of the program have found themselves in a range of careers from professional performers, mastering engineers, music producers, audio engineers, singer/songwriters, sound designers and front-of-house engineers.
Catamount Singers and Electric Soul serves as a major ensemble in the School of Music and provides performance opportunities for commercial voice students. The group performs on campus and tours annually to public schools in our region.
The Commercial Music & Audio Production program requires eight semesters of individual lessons in a performance area and six semesters of major ensembles, along with courses in performance skills, music theory and history.
An optional internship program provides an opportunity to earn college credit while working in a professional commercial music setting.
To be admitted to any music degree program, you must perform a live audition before a panel of music faculty. Auditions are typically held in February, but an audition may also be done by appointment throughout the year.
Students interested in a music scholarship must:
CMAP students must earn and maintain a 2.5 grade-point average in all of their college work for full admission.
The music studio faculty members are all active teachers, performers, producers, and composers who bring extensive experience to various aspects of the music business.
Chris Beyt is an active jazz guitarist, while Pavel Wlosok is a noted jazz performer in the United States and Europe. Jim Elenteny is the school's recording studio engineer; he also co-directs the program as well as teaches classes in recording arts.
Jon Henson, the other program co-director, works in areas of recording arts, field audio production, and live sound reinforcement. Justin Leo Kennedy is a composer and sound artist engaged in the fields of live electronic music and game audio. Damon Sink founded the Music Technology Ensemble and MIDI / Synthesis studio. He maintains involvement with CMAP, although he is now Director of the Music Theory and Composition.