Although a student may choose to emphasize one or the other, within this studio concentration drawing and painting are not seen as separate activities, but as interrelated and integrated. Indeed, drawing is seen as important preparation for the artist’s ability to think visually in any medium.

The ability to create and realize three-dimensional form on a two-dimensional surface––and to extend the objectification of a perceptual viewing of the world into symbolic and expressive realms--is a focus of introductory classes in this concentration.

Study of contemporary and historical works, readings in contemporary criticism and writings by other artists, trips to regional museums and galleries, and instruction in techniques and materials provide a solid point of departure for subsequent studio experimentation.
The emphasis in the concentration is not dogmatic. Rather it encourages each student to develop, through the practice of painting and drawing, a personally expressive visual language of form and color.

Read about painting and drawing facilities and technology.